Top Ten Musicals
I’m sure you understand what I mean when I say the world ‘musicals’. The point of a musical film is to deliver the narrative in a musical way sometimes accompanied by dancing. Almost the entire story is sung. This particular list details ten of the most popular musical turned movies based on opinions along with their synopsis (allmovie). Like I always say, your opinions are welcome. Enjoy the read.
Yentl (Streisand) is a young woman who wants nothing more than to study religious scripture. She is denied that possibility because she is a woman. She moves, passes herself off as a male named Anshel, and then begins her studies. She becomes close to fellow student Avigdor (Mandy Patinkin), eventually falling in love with him, although she cannot reveal her true self as she would then be expelled. Avigdor is in love with Hadass (Amy Irving), but religious law forbids him from marrying her.
9. AN AMERICAN IN PARIS
Jerry Mulligan is an opportunistic American painter living in Paris’ “starving artists” colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry’s patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) — who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into “the New Chevalier.” It didn’t.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including “I Got Rhythm,” “‘S Wonderful,” and “Our Love Is Here to Stay.”
A starry-eyed would-be star discovers just how far the notion that “there’s no such thing as bad publicity” can go in this screen adaptation of the hit Broadway musical Chicago, originally directed and choreographed by Bob Fosse. In the mid-20s, Roxie Hart (Renee Zellweger) is a small-time chorus dancer married to a well-meaning dunderhead named Amos (John C. Reilly). Roxie is having an affair on the side with Fred Casley (Dominic West), a smooth talker who insists he can make her a star. However, Fred strings Roxie along a bit too far for his own good, and when she realizes that his promises are empty, she becomes enraged and murders Fred in cold blood.
7. A STAR IS BORN
An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go “on with the show” in memory of her late husband.
1950s teens Danny (John Travolta) and Australian transfer Sandy (Olivia Newton-John) spend their “Summer Nights” falling in love, but once fall comes, it’s back to Rydell High and its cliques. As one of the bad-boy T-Birds, Danny has to act cool for best pal Kenickie (Jeff Conaway) and their leather-clad mates Sonny (Michael Tucci) and Doody (Barry Pearl, in the role Travolta played on-stage). Despite befriending Frenchy (Didi Conn), one of the rebel Pink Ladies, virginal Sandy is “too pure to be Pink,” as the Ladies’ leader, Rizzo (Stockard Channing), acidly observes. Declaring their devotion in such ballads as “Hopelessly Devoted to You” and “Sandy,” Sandy and Danny split, reconcile, and split again amidst a pep rally, dances, drive-ins, and a drag race, before deciding “You’re the One That I Want” at the climactic carnival.
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