10 Most Depressing Movies

We are back with a couple of lists about movies. This time around we are going to talk about ten of the most depressing movies in our opinion. You can let us know what you think in the comments and also if you have a movie in mind that should have been included in this list. The point is not to make you guys depressed besides, these movies help in you in growth. The synopses of the movies are provided for your convenience. If you think you got it bad, let these movies serve as a reminder for few. I hope you enjoy the list.

 

10. A BITTERSWEET LIFE

Sun-woo (Lee Byeong-heon of Joint Security Area) is a devastatingly effective, but businesslike enforcer for Mr. Kang (Kim Young-cheol), a mob boss who owns La Dolce Vita, the Seoul nightclub where Sun-woo employs the sloppier, less reliable Mun-suk (Kim Rwe-ha of Memories of Murder) to keep things running smoothly. Kang is involved in a developing feud with another boss, President Baek (Hwang Jeong-min), when he goes on a business trip, leaving Sun-woo in charge, and discreetly asking him for a special favor. There’s a “special” young woman he’s been seeing, Hee-soo (Shin Min-ah of Volcano High). He suspects she’s been seeing another man, and he asks Sun-woo to look after her while he’s gone, and find out if she’s cheating on him.

 

9. PAN’S LABYRINTH

The movie details the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom. Her mother, Carmen (Ariadna Gil), recently remarried to sadistic army captain Vidal (Sergi López) and soon to bear the cruel military man’s child, shy young Ofelia (Ivana Baquero) is forced to entertain herself as her recently-formed family settles into their new home nestled deep in the Spanish countryside. As Ofelia’s bed-ridden mother lies immobilized in anticipation of her forthcoming child and her high-ranking stepfather remains determined to fulfill the orders of General Francisco Franco to crush a nearby guerilla uprising, the young girl soon ventures into an elaborate stone labyrinth presided over by the mythical faun Pan (Doug Jones).

 

8. THE WRESTLER

His sense of identity fading into nothingness after the spotlights dim and he experiences a close brush with mortality, a retired wrestler begins to evaluate his life while considering the comeback that could very well kill him in director Darren Aronofsky’s poignant portrait of an introspective former superstar in the twilight of his career. Back in his heyday, wrestler Randy “The Ram” Robinson (Mickey Rourke) was an icon in the ring. His image immortalized in action figures and video games, he would headline arenas across the globe.

 

7. SAVING PRIVATE RYAN

The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller’s men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name “Ryan” stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States.

 

6. GRAVE OF THE FIREFLIES

Grave of the Fireflies opens on an evening in 1945, after Japan’s surrender at the end of World War II; and in a train station, the young Seita dies alone. The rest of the movie tells us, in flashback, how things have come to this. Seita and Setsuko are two young Japanese children growing up in the waning days of World War II. Much to Seita’s pride, their father is in the Japanese navy, and they live fairly content lives in Kobe despite rationing and the other privations of war. When their mother dies from burns suffered during an American fire-bombing raid, a distant aunt takes them in — and conflict eventually forces the children to try to survive on their own.

 

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